Selvan, Ponniyin: a movie critique Maintaining a delicate balance between drama and action, the writers (Mani Ratnam, Elango Kumaravel, and B Jeyamohan) draw on conventional plot elements while also going above and beyond.
|Name||Ponniyin Selvan 1|
|Cast||Aishwarya Rai,Trisha Krishnan,Jayam Ravi,Chiyaan Vikram,Karthi|
|Rating||3.5 / 5|
Review of Ponniyin Selvan: The year is 1001. When crown prince Aditha Karikalan (Vikram), his younger brother Arulmozhi Varman (Jayam Ravi, the title character), and their ailing father Sundar Chola (Prakash Raj) are put in various situations, the Chola empire is the target of plots and intrigues. In order to protect the palace from existential threats, the first of them, who is absent from the kingdom, sends a warrior-messenger named Vallavaraiyan Vanthiyathevan (Karthi) to meet his father and younger sister Kundavi (Trisha). The courier must stop a variety of plotters’ nefarious schemes from coming to fruition.
The incumbent is the target of intense scheming by Periya Pazhuvettarayar (Sarath Kumar) and Chinna Pazhuvettarayar (R Parthiban). Nandini, Periya’s stunning wife (Aishwarya Rai Bachchan), has joined them. Madhurantaka (Rehman) aspires to be great. The rest of the movie is about what Aditha and Arulmozhli do next to protect their dominance.
Vallavaraiyan Vanthiyathevan serves as the plot’s heart in the first half, supplying the narrative direction in quite daring ways. In the first hour, Aditha only occasionally but purposefully makes a presence. It takes Arulmozhi a good hour to make a big impression. Once that occurs, the film’s narrational prowess has fully developed.
Aishwarya Rai Bachchan’s Nandini, a Pazhuvoor queen, features a few layered parts. Her elegant performance enhances the persona she portrays. The stakes are raised by Trisha’s persona. If you take into account the potential outcomes of the second edition, which will be published in 2023, she makes for a striking character.
The seductive story ends in (un)anticipated ways. The story is told in delicious ways as the camera pans around the scenery. The opening scenes of the Telugu version feature narration by Chiranjeevi.
Ponniyin Selvan I songs
The composition of the background score by AR Rahman adds a hint of mystery. Over-the-top battle scenes aren’t really the thing that the action department (headed by Kecha Khamphakdee and Sham Kaushal) is interested in. However, the action set pieces to fall flat. You will be greatly let down if you anticipate Baahubali-caliber battle scenes.
Ponniyin Selvan IHighlights
The Best of Ponniyin Selvan
It is easy to see the physicality that Vikram, Jayam Ravi, and Karthi brought with them.
The storyline twists and historical details are not given to you straight. Retaliation and retaliation are muted where they need to be. The somber scenes don’t overdo the gloom.
For authenticity, the director insisted that his staff wear heavy leather armor. The royal characters’ language has been developed to be convenient on purpose.
Well-written roles are available for Sobhita Dhulipala, Jayaram, and Aishwarya Lekshmi.
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The excitement surrounding the main battle is maintained the entire time. The writers (Mani Ratnam, Elango Kumaravel, and B Jeyamohan) go beyond maintaining a careful balance between drama and action by drawing on conventional plot elements. The subject’s motivations, which are rooted in both history and fiction, have been carefully considered. The narration’s sensitivity to intimacy isn’t exaggerated. Rarely do the elusive moments appear.